Showing posts tagged “Dex Romweber”

Jack White records, releases Dex Romweber Duo 7″

Grayson Currin · 7 May 2009, 6:27 PM · 2 Comments


Dexter and Sara Romweber stopped by Jack White’s home studio in Nashville, Tenn., last week to record. Along with engineer Vance Powell, White lent his talents to the sessions by producing, playing guitar, saw, bass and singing. The two tracks cut over the two-day session—Geeshie Wiley’s great “Last Kind Word Blues” and Dex’s own “The Wind Did Move”—will be released through White’s label, Third Man, later this month. Third Man, a vinyl label, currently has one release to its name: “Hang You From the Heavens,” a seven-inch slab by White’s new band, The Dead Weather.

“It feels good. I can go to my grave and at least know I accomplished something,” Romweber told Nashville’s Metromix over his long-purported influence over The White Stripe. “Nothing gigantic. But still, it’s something. It’s touching.” Complete track details after the jump.” Continue reading »

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Bachmann, Stamey, Rosebuds, etc: Duke Performances announces summer schedule, rules

Grayson Currin · 22 Apr 2009, 11:03 AM · 6 Comments


summerexcerptPull out your planners or your iPhones or however it is you keep track of what you’ll be doing in a few weeks, and jot down the dates of Duke Performance’s Music in the Gardens series. Mixing stand-alone bills featuring area favorites like Eric Bachmann and Dex Romweber with new local lights like The Love Language and Megafaun, the series represents another coup for Duke’s ground-level, plugged-in booking under the leadership of Aaron Greenwald. All shows begin at 7 p.m. in or around the Duke Gardens, and each shows cost $10 for the public and $5 for Duke employees. Duke students and children under 12 get in for free. A rad series for the right price.
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SXSW09, Day 4: [Kelly Reid]

Kelly Reid · 24 Mar 2009, 7:03 PM · Comment


Walking on music.

After circling the blocks of 6th and 7th streets east of Interstate 35 for about 10 minutes, I finally found a parking space so big that I could squeeze my brother’s pick-up truck—a ’94 GMC, a real Texas ride with straight pipes that emit a gnarly roar even while parallel parking—inside. Jumping from its cab, my heels hit the asphalt hard, and I was reminded that today would likely be my fourth and final 15-hour day of music. The thought hurts.

It’s not that I don’t want to see live music. Actually, I have a whole list of bands I want to hear today. Rather, it’s that I don’t want to walk everywhere to see them. SXSW felt more scattered this year: The FADER Fort moved east of the interstate, a half-mile or so from the center of the action. Places like The Scoot Inn, Victory Grill, Homeslice Pizza and the Shotlz Beer Garden gathered bigger acts, too, moves that meant more walking for me. By bedtime every night, rest only felt like an excuse to get off of my feet. But, hey, it was totally worth it.
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