Showing posts in the “Interviews and Long Cuts” category
Rick Cornell ·
12 Mar 2010, 8:17 PM ·
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It’s not a stretch to describe Bill Kirchen as one of the music world’s Zeligs. There he is back in his Ann Arbor, Mich., childhood in a school picture with Bob Seger and James “Iggy Pop” Osterberg, Jr. That’s him, Fender Telecaster in hand, in the team photos for Commander Cody and the Lost Planet Airmen and for proto-new wavers (found in that big tent’s roots-revival corner) the Missing Moonlighters. Shots of Doug Sahm, Emmylou Harris, and Elvis Costello in a studio or on a stage would reveal Kirchen, guitar still smoking, nearby. Spot him backing Nick Lowe as an Impossible Bird, and then spot Lowe backing Kirchen on the latter’s 2007-released Hammer of the Honky-Tonk Gods, a genre-hopping gem. You can even catch his name in a George Pelecanos book.
Of course, the difference between Zelig and Kirchen is that Woody Allen’s fictitious chameleon was a passive bystander. Kirchen, while as unassuming as they come, is always right in the middle of the action. And with a new record due in May and a busy touring schedule, he clearly intends to stay there for as long as possible.
A standard Q&A phone call quickly turned into a roaming conversation between two music geeks—one just happened to be the King of Dieselbilly, a gent once described by Lowe as “a devastating culmination of the elegant and funky,” and one of the best guitarists in the land (the other decidedly none of those things). Below are just a few of the things Kirchen had to say. Continue reading »
Interviews and Long Cuts, You Should Do This
Corbie Hill ·
26 Feb 2010, 3:09 PM ·
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Up in the woods: Blag'ard is Joe Taylor, left, and Adam Brinson
There’s a treacherous drive—alternating clay and gravel, and passing over a shallow creek—that turns off of a certain Chapel Hill road and leads into the trees. After several hundred yards, the red clay driveway opens, revealing a little house that’s more of a hermitage.
It’s the warmest it’s been in several weeks today, and I’m sitting in the sun with Adam Brinson and Joe Taylor—together, Blag’ard. They’ve recently finished their second album, Mach II. It’s a solid unit, a catchy if menacing rock record that squeals off the lot like a muscle car and handles like Luke Skywalker’s X-wing.
Being at Joe’s house is like looking through a window into his mind: There’s a kind of sacred disarray here that contrasts the piercing clarity of his thought process. It’s organized, sure, but it’s organized the same way a forest floor is organized. His black Gibson, the guitar from his Capsize 7 days, leans against a wall like a fallen branch. Fliers on the walls tell tales of shows and bands long gone. Looking out the windows of the little room where this loud, loud band practices, I again see the trees and a gentle slope that falls toward the creek. This could be anywhere. Joe’s pretty intense, and Adam’s one of those gleeful dudes who makes himself laugh on a regular basis.
They have agreed to take a verbal Rorschach test, of sorts. Continue reading »
Interviews and Long Cuts, You Should Do This Blag'ard, Capsize 7, The Dive Bar, The Reservoir
Eric Tullis ·
14 Feb 2010, 4:33 PM ·
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Lovely face?
Over the years, we’ve relied on The Foreign Exchange’s lead singer and one-half of Little Brother, Phonte Coleman, to offer helpful anecdotes on the casualties and celebrations of love and relationships. So, who better to provide us with five songs that would surely get us dumped on Valentine’s Day than Coleman himself? After the jump, he provides the tracks, and I provide the commentary.
Disclaimer, though: Neither of us accept responsibility for any of your V-Day disasters. And, if you need a quick fix, The Foreign Exchange plays tonight at Cat’s Cradle in Carrboro. Continue reading »
Interviews and Long Cuts, Reflections
Rick Cornell ·
12 Feb 2010, 7:34 PM ·
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Wanda Jackson.
It was a good year for the future Queen of Rockabilly, Wanda Jackson. Yup, in 1952, still in her early teens, she won a talent contest, which led to her own radio show on a local station and, subsequently, an offer from bandleader Hank Thompson to perform with his Brazos Valley Boys.
And 2009 was none too shabby either. Jackson was inducted into the Rock and Roll Hall of Fame, with Rosanne Cash handling the induction speech honors. She had a street named after her in her home city, and she was the subject of a documentary, which is currently airing only on the Smithsonian Channel. And she finished recording an album, produced by Jack White, which is set to drop toward the end of 2010.
Of course, the nearly 60 years in between were hardly idle. There were shared bills with Elvis Presley, a couple decades’ worth of memorable rockabilly and country sides recorded for Capitol (including her signature song, “Let’s Have a Party”), some national hits, and countless tour miles. Her focus shifted to gospel music in the ’70s, and she did inspirational concerts with her husband and manager, Wendell Goodman. But a tour with Rosie Flores in the mid ’90s found Jackson rockin’ in the U.S. again.
As Jackson talks from her home in Oklahoma City, she’s excited about the release of a 7” featuring two songs from the upcoming record (an atmospheric, horn-dotted take on Amy Winehouse’s “You Know I’m No Good” and a right-in-her-wheelhouse version of Johnny Kidd & the Pirates’ enduring “Shakin’ All Over”), and she’s preparing to leave for a brief tour that will finish in Raleigh on Valentine’s Day. But the Independent got to talk to her before she got out of town. Continue reading »
Interviews and Long Cuts, You Should Do This Berkeley Cafe, Wanda Jackson
Rick Cornell ·
9 Feb 2010, 5:55 PM ·
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...am on the Internet, just not into it.
There were warning signs from the start. The first two Web sites encountered during a little table-setting—the Vapor Records site and Richman’s MySpace page—delivered direct hits to my optimism. “Please note that Jonathan Richman does not have any direct involvement with the Vapor Records Web site and does not participate in the Internet on any level,” offered the former in polite parentheses. And the latter helpfully (and equally as politely, although the host did raise his or her voice twice) pointed out, “Please be aware that I am NOT Jonathan Richman nor has he anything to do with this here site—it’s strictly unofficial and fan run. Just as—to my knowledge—EVERY internet site dedicated to Mr. Richman is.”
Thus, I wasn’t surprised when his manager told me that Richman hasn’t done print interviews for years, engaging in only the occasional TV or radio spot. And with that, a rather crucial component of “Five Words with Jonathan Richman” went missing. But the show must go on though.
Please be aware that I am NOT Jonathan Richman nor did he have anything to do with these here responses. Continue reading »
Interviews and Long Cuts, You Should Do This Cat's Cradle, Jonathan Richman
Andrew Ritchey ·
3 Feb 2010, 12:26 PM ·
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Since forming in 1968, the Tannahill Weavers have grown into one of the world’s premier conduits for traditional Scottish music. On the road six months of the year, an active touring schedule lets the band spread the sounds of Scotland—and often puts them in interesting, unexpected situations. While preparing for another U.S. tour at his home in the Netherlands, guitarist and singer Roy Gullane recalled two of those most interesting times.
For one show,the band
The Tannahill Weavers
decided to drive from the north of Scotland all the way to Vienna. But a planned rest stop in Stuttgart, Germany turned into an all night party when they happened into Scottish folk singer Hamish Imlach.
“By the time we got to Vienna, we were shattered.” Tired and with little time before the show, Gullane couldn’t find any sort of dressing room. “I found a room somewhere behind the stage to change my clothes, but couldn’t find the light switch. Undeterred, I carried on with the task, and had just wrestled my pants off when a door burst open, the lights went on, and hundreds of people started pouring past me. I was in the foyer.”
And then there was the festival in Germany with the 7:30 a.m. sound check. Continue reading »
Interviews and Long Cuts, You Should Do This Chatham Mills, Tannahill Weavers, Tir Na Nog
Andrew Ritchey ·
15 Jan 2010, 5:13 PM ·
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Pastor Paul Adefarasin of House on the Rock church led The Experience, and Lagos, Nigeria certainly shook the night of December 4. Lasting from 7 p.m. to 7 a.m., the fourth annual interdenominational gospel concert drew over 450,000 people. Local guitarist and minister Will McFarlane traveled over the Atlantic to be one of the many. McFarlane has spent the past decade in the area, but he spent years before backing up Bonnie Raitt and as part of the Muscle Shoals Rhythm Section.
Even with his solid résumé, McFarlane was surprised to be invited to the concert. “They called me out of nowhere, just a week in advance. I drove to Washington, D.C, to get my visa in a day, which was a miracle in itself.” He was recruited into a band that was half Nigerian and half American, including the likes of Phil Driscoll and Chester Thompson. With a little bit of time to practice, the group tackled the stage for an hour, starting around 1 in the morning. “The approach in Nigeria was just grab a hold and hang on. [laughter]” So what’s it like to play in front of almost half a million people? “It changes your body chemistry. [laughter] I mean, you could only see about the first quarter of a million. People were jumping and moving. It was just unbelievable.” Continue reading »
Interviews and Long Cuts, News flashes Papa Mojo's, Will McFarlane
Grayson Currin ·
13 Nov 2009, 6:11 PM ·
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Lambchop's Kurt Wagner at XX Merge, preaching like he means it (Photo by Brian Vetter)
We spoke with Lambchop frontman Kurt Wagner Wednesday, on the eve of the announcement that his longtime band Lambchop would release its life-changing/affirming/ending/reviving set from this year’s XX Merge fest in Carrboro, N.C., as Live at XX Merge. Tonight, they’ll see if they can repeat the magic of that night at Duke University’s Reynolds Industries Theater at 8 p.m. Lambchop splits the sold-out bill with Alejandro Escovedo.
INDEPENDENT WEEKLY: Are you playing Asheville on the way to Durham, or Asheville on your way home?
KURT WAGNER: We’re playing Charolette first, then ya’ll, then Asheville. It’s like a tour of the state of North Carolina. We’re playing state-by-state, I guess. [Laughs.]
You’re like a touring Sufjan Stevens.
You know, he took that back and admitted it was a mistake. He probably wasn’t that serious about it to begin with, and people made much more of it than he did. That’s what happens when you say something, and people don’t forget.
What’s been Lambchop’s biggest mistake in terms of saying something that sticks to you?
Calling ourselves a country band early on. We were sort of kidding, and it sort of stuck pretty hard. Then I started thinking, “Well, we kind of are.” It was partially a joke, then we started thinking about it conceptually, and thought that it was not that outlandish.
Given the chance to do it again, would you have described Lambchop as a country band early on?
At the time, we probably would have. What was funny was we didn’t even know what a one-sheet was. Mac [McCaughan] and Laura [Ballance, both of Superchunk and Merge Records] told us we had to make a one-sheet. We asked our friend Ira [Kaplan] in Yo La Tengo, “What’s this one-sheet?” and Ira said, “Believe it or not, whatever you put in there will haunt you for the rest of your life.” I don’t know exactly what prompted him to say that. I don’t know if they had a bad experience where something was misconstrued early on, and it never went away. Oddly enough, he was right.
Well, music journalists are notorious for perpetuating the half-truths they’re fed.
Once something gets out there, it just kind of sticks whether it’s accurate or not. It’s a rare person that actually checks those facts, particularly with the advent of blogs and stuff like that. [Journalists] don’t seem to have the kind of ethics they used to have. I understand all that. Whether it’s true or not, it still exists. There’s nothing you can do. Continue reading »
Interviews and Long Cuts, You Should Do This Duke Performances, Lambchop, XX Merge
Hunter Stephenson ·
4 Nov 2009, 7:55 PM ·
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Well, at least he still has a green T-shirt: Kurt Vile
After signing to Matador earlier this year, Kurt Vile is positioned as the latest long-hair millennial to draw parallels from critics to folk-rock and psych forebears Neil Young and Spacemen 3. Further adding to what molds rock mystique in 2009 is the fact that Vile’s surname is indeed real, and, as you might have heard, he previously worked as a forklift operator in his native Philly. Manual labor now coos to America’s indie set in tones more romanticized than perennial bedrock recordings (from which Vile’s career first sparked).
Needless to say, there’s a gracious helping of buzz and bangs to haze the identity of this 29-year-old dude. And even on Vile’s third and latest album, entitled Child Prodigy, his enigmatic promise doesn’t give way to a definitive, fully-realized sound. Instead, Vile continues to revel in soporific jams and lof-fi ballads before intermixing abstraction and stoney repetition. The line between a single and an experimental outtake is usually indistinguishable, much more so than on Vile’s output as a member of War on Drugs. Talking with Vile, currently on tour and traveling in a “Budget Rental red van with one fucked up tire,” he sounds happy with not having his future and future direction paved out. He’s also stoked on Thanksgiving.
And forget the future, anyway: Now, tonight, Vile brings his Violators to Local 506 at 9:30 p.m. Tickets are $8-$10. Continue reading »
Interviews and Long Cuts Kurt Vile, Local 506
Grayson Currin ·
23 Oct 2009, 11:45 AM ·
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Bland Simpson, songwriter and UNC professor
The Red Clay Ramblers got their start in 1972 and, over the years, have evolved with many personnel changes. Once a string band, the group now offers smatterings of American roots music from New Orleans to Tin Pan Alley. The Ramblers have a history of spreading their music through theater productions as well as music performances.
Pianist Bland Simpson has been involved with the band almost since its inception. At band mate Chris Frank’s house, Simpson helped mail out discs of the Red Clay Rambler’s newest album, Old North State earlier this week. Before calling an end to the afternoon and heading home to grill dinner, Simpson spoke with The Independent over the phone about the history of the group, its broadening sound, and performing roots music in alternative venues.
The Red Clay Ramblers play Chatham Mills in Pittsboro at 8 p.m. on Friday, October 23. On Saturday, October 24, they move over to Chapel Hill’s ArtsCenter at 8:30 p.m. $15-17. Continue reading »
Interviews and Long Cuts, You Should Do This Bland Simpson, Chatham Mills, Red Clay Ramblers, The ArtsCenter
