Showing posts tagged “Paul Taylor Dance Company”

Paul Taylor Dance Company’s “Beloved Renegade”

Sarah Ewald · 17 Jul 2009, 4:12 PM · Comment


The footage you see here is of Beloved Renegade, as rehearsed by the Paul Taylor Dance Company at the 2009 American Dance Festival. Paul Taylor established his company in 1954 in Manhattan along with five other dancers. The dance company since then has performed in 520 cities and 62 countries. Among other accomplishments, Taylor has won an Emmy award for outstanding choreographer for 1992’s Paul Taylor’s Speaking in Tongues.

Beloved Renegade premiered in 2008 and is inspired by the works of the great American poet Walt Whitman, and set to Francis Poulenc’s Gloria. Reviewing the work in February, The New York Times‘ Alastair Macauley called the piece “one of the great achievements of Mr. Taylor’s long career and one of the most eloquently textured feats of his singular imagination.”

The company will also perform two pieces in addition to Renegade. Mercuric Tidings (1982) uses excerpts from Franz Schubert’s first and second symphonies while Scudorama, an ADF-commissioned-work created in 1963, is described by the festival as a “gem most Taylor devotees haven’t seen, complete with a jazzy-classical score by Clarence Jackson.”


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The Independent Review:
Paul Taylor’s “De Sueños (Of Dreams)”:
The sleep of reason…

Byron Woods · 18 Jul 2007, 2:05 PM · Comment


Photo by Gregory Georges/ ADFI’ve seen tattoos with more character development than much of Mr. Taylor’s choreography in his new work last Saturday night.”

Ouch.

Our critic tags Taylor with “characterization by costume” in a review that asks, “When the costume designer and musicians do most of the heavy lifting, what’s left for the choreographer?” Read the screed — and respond, in Comments.

Continue reading »

Dance

What could be shocking to Paul Taylor?

Sarah Lupton · 13 Jul 2007, 4:38 PM · Comment


Photo by Tom CaravagliaFor fifty years, Paul Taylor has been shocking audiences with his controversial material. Last night’s world premiere of De Sueños (literally, “Of dreams,” but probably more appropriate to the piece as “In dreams”) was no exception. Though the performance was lauded with a standing ovation, not everyone was pleased with the performance. Continue reading »

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